Too Like The Lightning; Seven Surrenders; The Will To Battle; all by Ada Palmer.
Several hundred years hence, the world is a very different place. Concepts of gender, religion, family, technology, law and the state have all been rewritten, in response both to cultural and technological changes and to past disasters. There is a lot of entertaining worldbuilding here, most of it revealed incrementally (although I was amused to see at one point that the author found a way to do a more-or-less plot-justified info-dump).
Also revealed only gradually is the set of related challenges to all of these institutions, which collectively form the plot. A recurring pattern is that, despite superficially eliminating or mutating some characteristic of society, the underlying issues remain, either re-emerging in the light of events, or available to be exploited by the clear-sighted and unscrupulous (a well-represented demographic).
The bulk of all three books is written in the hand of one of the protagonist, though a couple of the others contribute occasional chapters; but while they do seem to be presenting the truth as they see it, they cannot be considered more than dubiously reliable, and indeed there is considerable in-world skepticism concerning some of their interpretations. Moreover their work is subject to censorship (at least some of it overt) from multiple competing interests, and to a (fairly sympathetic) editor. Nevertheless they do have considerable access, as part of their normal life, to many of the governing and cultural elite of their world (who form the primary focus of the story; indeed we learn very little about genuinely ordinary people beyond their mass responses to public events), meaning that despite these caveats they do at least seem to have a fairly good understanding of what is going on around them. Their style is wordy and emotional, and somewhat prone to tangents. I really enjoyed this, although it seems to be something of an acquired taste (N just found them smug).
The story is complex and somewhat twisty, with endless machination and intrigue as the various interests attempt to control events or turn them to their own advantage, and a couple of key institutions only revealed some time after their impact and influence has already impinged on the story. Most of the characters are distinctly larger-than-life, generally justifiable in terms of their background or the mechanisms used to fill the social or political roles they occupy, although a few intensely self-propelled individuals are clear outliers by the standards of the society they’re in, which doesn’t really know how to deal with them. The narrator tends to present them in, mostly, rather black-and-white terms, though does explicitly recognize in some cases that this reflects their personal priorities.
The numerous factions do create an occasional weakness: occasionally, it’s necessary to enumerate through most or all of them, something that is handled much better in the third book than the second. By the same token the large number of characters and the connections between them can occasionally be a struggle, especially when some of them get very little stage time before late growing in significance.
After reading the first volume I immediately bought the second, and pre-ordered the third at the end. But now I’m out of luck: the fourth volume is due in 2019, and although the framing presents them as distinct volumes with distinct purposes, this is really a single story, and with all the moving parts in the first three, and a semi-resolved cliffhanger at the end of the third, the gap is frustrating! I’ve made notes on what’s going on, but I suspect I’ll want to re-read all three extant volumes prior to starting the fourth anyway (and possibly within the next month anyway l-)